This article is about the cultivated accent blending American and British English. Unsourced material may be challenged and removed. Americans actually spoke it unless educated to acting with an accent standard british pdf so”.
Canada in the same era, although it resulted from different historical processes. United States focused on song-like intonation, lengthily and tremulously uttered vowels, and a booming resonance, rather than the details of a given word’s phonetic qualities. English by schools of speech, acting and elocution in the United States up to the end of World War II”. Early recordings of prominent Americans born in the middle of the 19th century provide some insight into their adoption or not of a cultivated non-rhotic speaking style. Ohio and Michigan, both used natural rhotic accents. 1918 to around the time of his death in 1935, who introduced a phonetically consistent American speech standard that would “define the sound of American classical acting for almost a century”, though Tilly himself actually had no special interest in acting. Tilly was interested in popularizing his version of a “proper” American pronunciation for teaching in public schools and using in public life.
World English was a speech pattern that very specifically did not derive from any regional dialect pattern in England or America, although it clearly bears some resemblance to the speech patterns that were spoken in a few areas of New England, and a very considerable resemblance to the pattern in England which was becoming defined in the 1920s as “RP” or “Received Pronunciation. Now popularly identified as a Mid-Atlantic accent, this conscious American pronunciation was advocated most strongly from the 1920s to the mid-1940s, but, by 1950, its influence had largely ended. American upper-class diction of the 1940s. The related term “boarding-school lockjaw” has also been used to describe the prestigious accent once taught at expensive Northeastern independent schools. Excerpt of FDR’s “Fear Itself” speech. Pearl Harbor speech, for example, in the phrase “naval and air forces of the Empire of Japan”.
After the accent’s decline following the end of World War II, this American version of a “posh” accent has all but disappeared even among the American upper classes. The clipped, non-rhotic English of George Plimpton and William F. When the 20th century began, classical actors in the United States were in the habit of explicitly imitating British accents onstage. From the 1920s to 1940s, the “World English” of Wiliam Tilly, and his followers’ slight variations of it taught in classes of theater and oratory, became popular affectations onstage and in other forms of high culture in North America. American pronunciation for “classics and elevated texts”. As used by actors, the Mid-Atlantic accent is also known by various other names, including American theater standard or American stage speech. 1920s, a voice was first heard in motion pictures.
Many adopted it starting out in the theatre, and others simply affected it to help their careers on and off in films. Although it has largely disappeared as a standard of high society and high culture, the Transatlantic accent has still been heard in some recent media for the sake of historical or stylistic effect. Locust Valley lockjaw and cartoonish caricature of this accent to great comedic effect. Mid-Atlantic accent throughout the character’s many animation and video game appearances. It is still taught to actors for use in playing historical characters. Mid-Atlantic accent has no trace of æ-tensing whatsoever.